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Artistic Directors Series with Anna Meredith

Musicians and visual artists respond creatively to graphene.

Musicians performing on stage with Anna Meredith.
Date
27 July 2026
Category
Past Projects

In the summer of 2016 we first worked with acclaimed composer Anna Meredith on a residency as part of our first gender-equality initiative Here Come The Grrrls.

Twelve young and emerging musicians and visual artists joined us for four days at the Science and Industry Museum. Working with Anna and her long-time collaborators - guitarist and composer Jack Ross and visual artist Eleanor Meredith - they created original material inspired by the museum’s Wonder Materials: Graphene and Beyond exhibition.

  • Anna Meredith chatting with a musician.

  • A visual artist on a laptop with headphones in.

  • A clarinetist and a saxophonist collaborating.

  • A visual artist being recorded.

  • Anna Meredith rehearsing with musicians.

  • A visual artist altering clay figures.

  • Anna Meredith playing flute alongside other musicians.

  • A charcoal artwork on a wall.

  • A visual artist and two musicians chatting.

  • A saxophonist with a notebook.

Six new tracks and accompanying visuals were then premiered at a Science in the City Late event at the museum, in wider celebration of Manchester as the European City of Science 2016.

  • A musician playing clarinet in front of projected visuals.

  • A musician playing cello in front of projected visuals.

  • A musician playing guitar on stage.

  • A musician singing into a microphone in front of projected visuals.

  • Anna Meredith playing clarinet.

  • Musicians singing on stage with Anna Meredith while wearing frog ears.

  • A musician playing drums in front of projected visuals.

  • Two musicians singing with frog ears on.

  • A musician playing saxophone in front of projected visuals.

  • Musicians performing on stage with Anna Meredith.

During the residency we also delivered a sound engineering course led by Speth Hughes. Working with four aspiring sound engineers, they spent four days learning all about microphone techniques, mixing desks, speakers and more.

Their learning was put to the test at the end of the week where they mixed sound during the residency’s live performance.

  • A group shot of Speth and the four sound engineers.

  • A sound engineer working with Speth.

  • A sound engineer working with Speth.

How we helped

Composer and songwriter Anna Appleby (AKA art-pop musician Norrisette) reflected:

“This residency kickstarted me branching out into multimedia collaborations, and fusing genres, having mainly focused on score-based contemporary classical composition beforehand. My career now is so varied and I'm always working across styles.

Meeting other artists who had discovered their style and voice to a greater extent also helped me to break out of an awkwardness that I'd been in, feeling slightly lost in the classical world at times. Anna, and Brighter Sound, gave me a lot of confidence through this residency.”

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Credits

A huge thanks and congratulations to all participants:
Amy Thompson, Anna Appleby, Anna Clifford, Anna Gray, Carmel Smickersgill, CHAINES, Elizabeth Walshaw, Elle Bulger, Joanna Roy, Julie Crawford, Katrina Wilde, Lilli Hall, Miranda Rimmer, Nuria Bonet, Sarah Rowland Hill and Shamica Ruddock.

With thanks to:
Anna Meredith, Jack Ross, Elenaor Meredith and Speth Hughes.

Photos by Rachel Bywater. Film by Daniel Kenyon.

Funded by Youth Music and supported by the PRS for Music Foundation.

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